Answer briefs in minutes
Paste the incoming brief. Get a ranked shortlist from your own roster with the usable sections marked.
A sync intelligence and semantic music search engine.
It listens to music, understands it in the language of film and television, and makes entire catalogs searchable by what a scene needs.
Private deployments for music libraries, publishers, sync agencies and labels.
How much of your catalog does your team actually remember? What happens when a supervisor asks for something you already own, and nobody recalls that the track exists?
WMDC Music Supervisor listens to every track you own and makes the whole repertoire searchable in the way supervisors and editors actually describe scenes. Music you already control starts earning when the brief arrives.
Scene Intelligence
Genre, BPM and mood are where most systems stop. WMDC goes on to describe where a piece works on screen, what it leaves room for, and exactly when it changes.
Accurate. Also true of several thousand other tracks. It tells an editor nothing about where to cut.
Semantic Search
No tag taxonomy to learn. Paste the brief the way it arrived. WMDC reads it the way a supervisor would and searches the catalog by meaning, not by keyword.
“Need something tense but hopeful. Female vocal okay but nothing lyrically distracting. Starts intimate, grows around :45, large emotional payoff around 1:20. Think family reconciliation after a disaster.”
+ 9 further matches · each with the usable section, why it fits, and licensing notes · playlist ready to send
How It Works
Send five tracks, or ingest ten thousand. Audio is analyzed privately inside your own tenant. Nothing is pooled, published or trained on.
Every track is measured and heard end to end: tempo, key, energy curve, structure, intro and outro, the loudest window, and every point where the energy changes.
Each piece is written up in supervisor language: one-line pitch, mood and genre, instrumentation, vocal type, emotional arc, scene fits, use cases, media types, dialogue compatibility, comparable references, licensing notes, sensitivity flags and “avoid if.”
Time-coded sections are stored alongside the track. A search can return not just a song, but the twenty seconds of it that fit the cut.
Type the scene. Paste the brief. Filter by category or tag. Results are ranked by meaning, with the usable section and the reason each one fits. Export as Markdown, JSON or a ready library entry.
Song 17 becomes “Song 17, use 1:21–1:39.”
Why It's Different
“Your catalog already contains music that could be earning. We make sure you can find it when the brief arrives.”
Tagging tools describe what a song sounds like. WMDC Music Supervisor describes where it belongs in a cut, what it leaves room for, and when it turns. A million tracks become tens of millions of usable sync moments.
audio → sync understanding → time-coded scene intelligence → semantic index → brief → ranked usable momentsWho It's For
Ten people searching five hundred thousand songs get more from WMDC than a hundred people searching a thousand. Pricing follows the catalog, not the headcount.
Paste the incoming brief. Get a ranked shortlist from your own roster with the usable sections marked.
Deep catalog gets found by scene, not by whoever remembers it. Older assets start competing with new releases.
Emotional distribution, sync usefulness, catalog holes and underexploited assets, mapped across the whole repertoire.
Describe the cut. Get the moment. Timecodes are returned alongside every result.
Delivered as a private tenant of the hosted application. It can also run under your own brand, or behind your existing platform through the API. Ask.
Start Here
Not a demo. Your tracks, your briefs, your team, for thirty days.
If you continue, the full pilot fee is credited toward your first annual contract.
Ongoing plans scale with catalog size and analysis volume. Users are generous. Annual contracts are priced at ten months.
Where This Is Going
Rights holders opt in. Their audio is analyzed privately. A buyer types what the scene needs and WMDC searches every index it is trusted with. No one hands over their music.
Once enough briefs flow through, WMDC knows both what music exists and what supervisors are searching for right now. That is a demand graph, not a database.
Final Cut Pro, Premiere, Resolve, Avid. Describe the scene without leaving the cut and drop the exact moment onto the track.
What's Next
No deck, no demo call. Pick five pieces from your catalog. We return the full supervisor sheets within a day. Then imagine it across everything you own.
Send Us Five Tracks →or write to Wiz@ListenTechnology.ai · existing tenants sign in at musicsupervisor.wmdcradio.com